In print: Le Negatif

I am always pleased to find myself in print. Yes, I mean always, as even bad press is good press. And there is something particularly charming about being niched in publications that only publish film photography.

 

Open publication – Free publishingMore analog
Tobias Feltus:
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Venere d’Urbino

Oddly the wall in my studio/livingroom was painted with this Titian-esque background around a year and a half ago, specifically with the intent to work with the reclined Venus paintings from the 15-1600s. I don’t really even remember who  I had in mind, at the time, to model for the shot, but I do know that it never happened. The backdrop has been used for a myriad of purposes, and been a landscape that I have been Lost in and represented Loss with, amongst other things.

So finally I find the right woman. Someone with whom I not only can communicate, but who also enjoys working with me. And by pure chance, also has the right body to become a reclined Venus. We set up in mid afternoon, building an unstable bed of tables and camera cases and pillows and rugs, curtains and lights. I found that I was unable to shoot the Titian composition the right way round because of the lighting, so I opted to just flip the negative. Getting the pose right did take many hours: we ended up eating around midnight, and shot a couple of poses. I did some tests with FP100c45 using the Tessar 165/2.7, but realised that it was not sharp at the edges at this focal distance (about 4m), so I got out the Aero Ektar. My new Gitzo tripod made such a difference too. I shot this on Kodak EPP readlyload, and rated it at 200ISO and cross processed it in my Hunt c41 kit.

 

Tobias Feltus:
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